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Jeff lorber fusion the badness
Jeff lorber fusion the badness










jeff lorber fusion the badness

jeff lorber fusion the badness

He really shines playing over the funky polyrhythmic grooves we record.” The newest member to the all-star unit is saxophonist Andy Snitzer, who like Lorber (and the Brecker Brothers) hails from Cheltenham, PA. He contributes a lot with his warm bass sound and on the road he is without a doubt one of the finest soloists out there on his instrument.” Lorber adds, “Gary’s very versatile, imaginative, super solid and gets a great sound. “From a production standpoint Jimmy adds a ‘big picture’ element. Prototype features longtime collaborators – bassist Jimmy Haslip (founding member of The Yellowjackets) and drummer Gary Novak.

#Jeff lorber fusion the badness full#

Lorber, a Berklee College of Music alum who formerly majored in Chemistry at Boston College goes full throttle on Prototype, orchestrating like an alchemist in the lab concocting a majestic elixir of jazz, soul, funk, pop, R&B and gospel. “I came up with the name Prototype because we are always trying to up our game and come up with new exciting music that could be a prototype or innovative harbinger for the future of our musical style,” says the LA based pianist. The multi Grammy-nominated pianist’s newest CD is a sterling example of his expansive musical roots, masterfully crafted harmonic and melodic sophistication, irresistible finger-poppin’ grooves and intricate rhythmic sense. A groundbreaking Fender Rhodes pioneer along with the likes of Herbie Hancock, Joe Sample and Bob James, Lorber has triumphed as one of the most innovative musical minds in contemporary jazz. Equally compelling are cuts like the kinetic electro-bop of "Ha Ha Hotel" and the soulful ballad "Tell Me." Eleven is an inspired match-up that lives up to the work of both Lorber and Stern's expansive careers.Trailblazing pianist, composer, producer and bandleader Jeff Lorber is a consummate artist who continues to push himself to new plateaus. They split the difference on Lorber's "Rhumba Pagan," a driving modal piece with a funk underpinning that also features Stern's wordless vocal improvs. Conversely, "Jones St." is a dark-toned blues-groover culled from Stern's 1997 album Give and Take. The opening "Righteous" is a breezy Lorber number centered on a hooky acoustic piano and guitar melody. What's particularly interesting on Eleven is that you can pick out how Lorber and Stern have adapted their distinctive styles for each tune. There are also nicely done horn parts peppered throughout by Ned Mann. Joining them is producer and longtime Yellow Jackets bassist Jimmy Haslip, as well as drummer Dave Weckl, guitarist Leni Stern, drummer Gary Novak, drummer Vinnie Colaiuta, and others. Together, they bring all of their decades-long experience to bear on Eleven playing a handful of original songs. Conversely, Stern built upon his early years as a member of Miles Davis' ensembles, mixing post-bop and blues as one of the top virtuoso jazz guitarists of his generation. As the leader of the Jeff Lorber Fusion, Lorber helped to define the sound of groove-oriented contemporary jazz and R&B. While both artists got their start in the late 1970s playing a hybrid of jazz and electric rock, they each moved in slightly different directions while coming into their own in the '80s. The first pairing between crossover jazz icons keyboardist Jeff Lorber and guitarist Mike Stern, 2019's Eleven is an engaging fusion album that balances each musician's distinct musical personality.












Jeff lorber fusion the badness